Artaholic

Erased de Kooning Drawing, Robert Rauschenberg, 1953

From A Genteel Iconoclasm: Vincent Katz on Robert Rauschenberg:

The genesis of the project is well-documented: Rauschenberg went over to the master’s studio and said he’d like to erase one of his drawings as an act of art. De Kooning, apparently intrigued, had three groups of drawings. The first comprised those with which he was not satisfied - that wouldn’t work. The next was of drawings he liked, but which were all in pencil - too easy to erase. If de Kooning was going to participate in this neo-Dada performance, he would play his part. He looked in his third group and found a multi-media work on paper that would be quite difficult to eradicate (the media of Erased de Kooning Drawing are “traces of ink and crayon on paper”). It apparently took Rauschenberg one month to get the sheet relatively clear of marks. No photograph exists of the work he erased.

Erased de Kooning Drawing is iconic because it stands for an era when something seemingly negative could, in fact, turn out to have positive repercussions. It is revolutionary in a philosophical, though not in an aesthetic, sense. 

(via juliegemini)